The. Ballad. of. Los. Deadboys

artchipel:

Christopher Boffoli (USA) - Big appetites
Big Appetites is a series of fine art photographs by Seattle-based photographer, writer, artist and filmmaker Christopher Boffoli. The series presents tiny, meticulously detailed figures posed in real food environments, referencing both a cultural fascination with tiny things as well as an American enthusiasm for excess, especially in the realm of food. The photographs have been published in more than 95 countries around the world. 
[more Christopher Boffoli | artist found at Fubiz]
artchipel:

Christopher Boffoli (USA) - Big appetites
Big Appetites is a series of fine art photographs by Seattle-based photographer, writer, artist and filmmaker Christopher Boffoli. The series presents tiny, meticulously detailed figures posed in real food environments, referencing both a cultural fascination with tiny things as well as an American enthusiasm for excess, especially in the realm of food. The photographs have been published in more than 95 countries around the world. 
[more Christopher Boffoli | artist found at Fubiz]
artchipel:

Christopher Boffoli (USA) - Big appetites
Big Appetites is a series of fine art photographs by Seattle-based photographer, writer, artist and filmmaker Christopher Boffoli. The series presents tiny, meticulously detailed figures posed in real food environments, referencing both a cultural fascination with tiny things as well as an American enthusiasm for excess, especially in the realm of food. The photographs have been published in more than 95 countries around the world. 
[more Christopher Boffoli | artist found at Fubiz]
artchipel:

Christopher Boffoli (USA) - Big appetites
Big Appetites is a series of fine art photographs by Seattle-based photographer, writer, artist and filmmaker Christopher Boffoli. The series presents tiny, meticulously detailed figures posed in real food environments, referencing both a cultural fascination with tiny things as well as an American enthusiasm for excess, especially in the realm of food. The photographs have been published in more than 95 countries around the world. 
[more Christopher Boffoli | artist found at Fubiz]

artchipel:

Christopher Boffoli (USA) - Big appetites

Big Appetites is a series of fine art photographs by Seattle-based photographer, writer, artist and filmmaker Christopher Boffoli. The series presents tiny, meticulously detailed figures posed in real food environments, referencing both a cultural fascination with tiny things as well as an American enthusiasm for excess, especially in the realm of food. The photographs have been published in more than 95 countries around the world.

[more Christopher Boffoli | artist found at Fubiz]


swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 
swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.  Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten. In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.  Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 

swiczeniuk:

regibean:

When patients were committed to the Willard Asylum for the Insane in Upstate New York, they arrived with a suitcase packed with all of the possessions they thought they needed for their time inside.
Most never left. The mental hospital had an average stay of nearly 30 years. When patients died, they were buried in nameless graves across the street of the asylum. Their suitcases, with all their worldly possessions, were locked in an attic and forgotten.
In 1995, an employee of the mental hospital discovered the suitcases, 400 of them. They date from 1910 to 1960.
Now, photographer Jon Crispin is cataloging each suitcase and opening a window into the lives - and the minds - of the people deemed too unwell to be allowed in society.

This is fascinating and distressing. I wonder how many of those people were actually “unwell”, or whether it was just a reflection of what society considered unacceptable at the time. 


artchipel:

Monday’s Curator 111 - Tumblr Artist
Victo Ngai | on Tumblr (Hong Kong/USA)
Victo Ngai is a New York-based award-winning illustrator from Hong Kong, graduated from Rhode Island School of Design. Ngai creates action-packed artworks with an expressive approach. Her compositions are spiraling and moving, engrossing the viewer into worlds where mysterious floods, ghostly hauntings and supernatural beasts are all fair game. Ngai uses a subtle, dusty color palette and loose line work, filling the backgrounds of her pieces with patterns reminiscent of Buddhist painting and Asian textiles. Her works are busy but never overwhelming, with every detail arranged in an order that can’t help but make sense visually (source: Hi-Fructose Magazine) 
This is our 111st co-editorship with curators on Tumblr, our sincere thanks for their participation! We are delighted to have ryandonato this Monday to introduce us Ngai, please visit artist’s website or follow her Tumblr. 
[more Victo Ngai | with Monday’s Curator ryandonato]
artchipel:

Monday’s Curator 111 - Tumblr Artist
Victo Ngai | on Tumblr (Hong Kong/USA)
Victo Ngai is a New York-based award-winning illustrator from Hong Kong, graduated from Rhode Island School of Design. Ngai creates action-packed artworks with an expressive approach. Her compositions are spiraling and moving, engrossing the viewer into worlds where mysterious floods, ghostly hauntings and supernatural beasts are all fair game. Ngai uses a subtle, dusty color palette and loose line work, filling the backgrounds of her pieces with patterns reminiscent of Buddhist painting and Asian textiles. Her works are busy but never overwhelming, with every detail arranged in an order that can’t help but make sense visually (source: Hi-Fructose Magazine) 
This is our 111st co-editorship with curators on Tumblr, our sincere thanks for their participation! We are delighted to have ryandonato this Monday to introduce us Ngai, please visit artist’s website or follow her Tumblr. 
[more Victo Ngai | with Monday’s Curator ryandonato]
artchipel:

Monday’s Curator 111 - Tumblr Artist
Victo Ngai | on Tumblr (Hong Kong/USA)
Victo Ngai is a New York-based award-winning illustrator from Hong Kong, graduated from Rhode Island School of Design. Ngai creates action-packed artworks with an expressive approach. Her compositions are spiraling and moving, engrossing the viewer into worlds where mysterious floods, ghostly hauntings and supernatural beasts are all fair game. Ngai uses a subtle, dusty color palette and loose line work, filling the backgrounds of her pieces with patterns reminiscent of Buddhist painting and Asian textiles. Her works are busy but never overwhelming, with every detail arranged in an order that can’t help but make sense visually (source: Hi-Fructose Magazine) 
This is our 111st co-editorship with curators on Tumblr, our sincere thanks for their participation! We are delighted to have ryandonato this Monday to introduce us Ngai, please visit artist’s website or follow her Tumblr. 
[more Victo Ngai | with Monday’s Curator ryandonato]
artchipel:

Monday’s Curator 111 - Tumblr Artist
Victo Ngai | on Tumblr (Hong Kong/USA)
Victo Ngai is a New York-based award-winning illustrator from Hong Kong, graduated from Rhode Island School of Design. Ngai creates action-packed artworks with an expressive approach. Her compositions are spiraling and moving, engrossing the viewer into worlds where mysterious floods, ghostly hauntings and supernatural beasts are all fair game. Ngai uses a subtle, dusty color palette and loose line work, filling the backgrounds of her pieces with patterns reminiscent of Buddhist painting and Asian textiles. Her works are busy but never overwhelming, with every detail arranged in an order that can’t help but make sense visually (source: Hi-Fructose Magazine) 
This is our 111st co-editorship with curators on Tumblr, our sincere thanks for their participation! We are delighted to have ryandonato this Monday to introduce us Ngai, please visit artist’s website or follow her Tumblr. 
[more Victo Ngai | with Monday’s Curator ryandonato]

artchipel:

Monday’s Curator 111 - Tumblr Artist

Victo Ngai | on Tumblr (Hong Kong/USA)

Victo Ngai is a New York-based award-winning illustrator from Hong Kong, graduated from Rhode Island School of Design. Ngai creates action-packed artworks with an expressive approach. Her compositions are spiraling and moving, engrossing the viewer into worlds where mysterious floods, ghostly hauntings and supernatural beasts are all fair game. Ngai uses a subtle, dusty color palette and loose line work, filling the backgrounds of her pieces with patterns reminiscent of Buddhist painting and Asian textiles. Her works are busy but never overwhelming, with every detail arranged in an order that can’t help but make sense visually (source: Hi-Fructose Magazine)

This is our 111st co-editorship with curators on Tumblr, our sincere thanks for their participation! We are delighted to have ryandonato this Monday to introduce us Ngai, please visit artist’s website or follow her Tumblr.

[more Victo Ngai | with Monday’s Curator ryandonato]